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Eastern European Popular Music in a Transnational Context

Overview of attention for book
Eastern European Popular Music in a Transnational Context
Springer International Publishing

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Crossing National and Regional Borders in Eastern European Popular Music
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    Chapter 2 Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s
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    Chapter 3 Quiet Fanaticism: The Phenomenon of Leonard Cohen’s Popularity in Poland
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    Chapter 4 Authenticity and Orientalism: Cultural Appropriations in the Polish Alternative Music Scene in the 1970s and 1980s
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    Chapter 5 Eastern Europe as Punk Frontier
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    Chapter 6 Success, Failure, Splendid Isolation: Czesław Niemen’s Career in Europe
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    Chapter 7 Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians
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    Chapter 8 Balkan High, Balkan Low: Pop-Music Production Between Hybridity and Class Struggle
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    Chapter 9 The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest
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    Chapter 10 Between Utopia and the Marketplace: The Case of the Sziget Festival
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    Chapter 11 A Tale of Two (or #EverMore) Festivals: Electronic Music in a Transylvanian Town
Attention for Chapter 9: The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest
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